And like all professional cinema cameras, there are lots of external buttons to access many of the main settings, or you can dive into the menus.
There is a good viewfinder for use on the shoulder, and the screen is bright for use on a tripod. At the back is a plate to take the big V-Lock style batteries. The body feels like it would take you through a warzone and back again, as it is very solid. (Image credit: Adam Duckworth) (opens in new tab)Īpart from the 12K logo and the USB-C socket being moved to the back, the camera itself is identical to the old 4.6K Ursa Mini Pro G2. Storage: 2x CFast 2.0 slots, 2 x SD UHS-II slots, USB-C 1 port 2.4:1 8K and 4K 160fps, 6K Super16mm 120fps, 4K Super16mm 220fpsĬodecs: Blackmagic Raw constant bitrate 5:1, 8:1,12:1, 18:1, constant quality Q0, Q1, Q3, Q5įocus: One-shot autofocus on compatible lensesĪudio: Integrated stereo microphones, 2x XLR inputs with phantom power support
High speed frame rates: Full sensor 12K 17:9 60fps, 8K and 4K 110fps. Staying with Blackmagic technology all the way through the process is what gives the footage its detailed, filmic look. And the only option is to record in Blackmagic Raw using Log which is then edited in Da Vinci Resolve’s new fifth-generation colour technology.
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